Sound people can sit with for an hour.

Bad audio kills a good video faster than bad picture ever will. Viewers forgive a soft focus. They will not forgive a room echo, a hum under the voice, or levels that jump every time the shot changes. Most of this job is fixing things the listener is never supposed to notice.

What you get

The work itself.

Voice and narration

Recording, cleanup and levelling, in English or Romanian. Your own voice if you want to be heard, a booked one if you would rather not be.

Podcast editing

Cuts, noise removal, music beds, and the episode landing in the feed on the day you told people it would.

Music and beds

Licensed tracks, or something written to the exact length of your edit. No stock loop fading out halfway through a sentence.

Rescue work

Recordings made in a kitchen, on a phone, next to a fridge. Miracles are not on offer, but most of them come back publishable.

Nobody compliments good audio. They just keep listening.

How it goes

Four steps, no mystery.

You know what happens next at every point, and what it costs to change your mind at that point.

Capture

Right mic, right room, right distance. Ten minutes of setup saves a week of repair, and repair never sounds as good as getting it clean.

Clean

Hum, hiss, room reflection, mouth noise, the neighbour and their dog. All out, without leaving the voice sounding like it is underwater.

Mix

Voice on top, music underneath, nothing fighting for the same space. Nobody should reach for the volume knob mid episode.

Master and deliver

Levelled to the platform standard, so your episode is not noticeably quieter than the one that played before it.

The door

Tell us what you need.

A few lines is enough to start. You get questions back, a rough shape for the work and a price range, usually the same day.

Start an audio project